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A conversation with Kamel Krifa, for The Postil Magazine

by Grégoire Canlorbe · Juin 1, 2020

Kamel Krifa is an actor, film producer, and Hollywood’s stars trainer—including Jean-Claude Van Damme, Michelle Rodriguez, Eddie Griffin, Steven Seagal, and many other ones. Krifa ranks among Van Damme’s longstanding collaborators and personal friends, acting alongside him in various movies. This conversation with cultural journalist Grégoire Canlorbe first happened in Paris, in July 2017; it was resumed and validated in April 2020.

Grégoire Canlorbe: In Kickboxer IV, you have given flesh and soul to iconic villain Tong Po. Do you intend to return to the saga?

Kamel Krifa: At the time I had been offered a contract of five films to interpret the character of Tong Po. It was an interesting challenge, for my acting was essentially limited to the expression of my eyes and to working the articulation of the mouth. Indeed, I was asked to wear a mask, destined to give me oriental features. Alas, concerning fighting scenes, I did not have the opportunity to really prepare them thoroughly, because I had to avoid spoiling, through my respiration, the three hours of make-up that were devolved to me each day. (Knowing that an extra hour was still required to remove my make-up after filming.)

Finally, I will have only once lent my traits—or rather, lent my stature and my agility—to the deceitful and cruel Tong Po. But I effectively returned to the franchise Kickboxer, since I appear in Kickboxer: Retaliation, alongside Mike Tyson, Hafþór Júlíus Björnsson, Christophe Lambert, and none other than Jean-Claude Van Damme. The movie was released in January 2018. It is the sequel to Kickboxer: Vengeance, a remake of Kickboxer released twenty-seven years after the original film.

Kickboxer IV final fight — Final fight in Kickboxer IV, exhibiting the martial prowess of Kamel Krifa (in the role of Tong Po)

Grégoire Canlorbe: Jean-Claude Van Damme has directed a single film, The Quest, in which he plays in the company of the late Roger Moore. According to you, why did JCVD not want to repeat the experience since then?

Kamel Krifa: Jean-Claude has an undeniable talent as a director and he does not hesitate to advise the directors who work with him. They benefit from his experience, acquired both before and behind the camera. In turn, he offers them the best of himself in his acting. Since The Quest, he indeed prefers to delegate the task to the director and to focus on his interpretation. It allows him to let his mind float — instead of cornering his attention with a host of technical considerations that never leaves his mind in peace. In that way, he can prove fully invested, relaxed, and reactive under the eye of the camera; he can put himself in the skin of his character with an optimal ability to concentrate.

Also, entrusting the filmmaking to someone else, whom he knows qualified, and to whom he transmits his directives, allows him to take time for himself: time to commune with himself, and to read and meditate on subjects that are dear to his heart. Jean-Claude is not only a man of great culture; he is an authentic gifted, a superior intelligence, who carries a unique and insightful look at people, the things of life, and the universe.

Grégoire Canlorbe: Whether as his coach, his producer, or his on-screen partner, you have been working steadily and consistently with JCVD. Would you care to say a few words about it?

Kamel Krifa: I have known Jean-Claude since he was thirteen. When I met him, I was twenty years old; and from simple sports room colleagues, we quickly became best friends, spiritual brothers. In 1989, Jean-Claude, who had just acted in his launch pad Bloodsport (and who was about to become an international star with the tremendous successes of the early 1990s), proposed to me that I become his exclusive trainer; very honored, I accepted his offer. I then had the opportunity to act alongside him in Death Warrant and Lionheart—and that is how I became a Hollywood actor.

During the 1990s I continued to appear alongside Jean-Claude in various action movies; on the same token, I launched into production. That is how I was an associate producer for Double Impact, featuring Bolo Yeung. I also co-produced Legionnaire, for which I made location scouting in Morocco for two years. I must confess that I have a special affection for that period film, which deals with the Rif War and which features Abdelkrim Khattab, whom I had the good fortune to play. Most recently, I collaborated with Jean-Claude on the pilot of the TV series Jean-Claude Van Johnson, sponsored by Amazon—and, of course, on the last installment of the saga Kickboxer.

Grégoire Canlorbe: Let us talk about the origin of your cinematographic vocation. What could be, in particular, the “double impact” of your Tunisian childhood and of your early discovery of martial arts?

Kamel Krifa: At the age of seven I had stars in my eyes in front of peplums and other spy films from the 1960s; and it is to a large extent in the popular movie theaters of Tunis, where action movie left me mesmerized, that my vocation of actor was born. But it is also at home, from a very early age, by having fun shooting amateur films through a play of shadow and light, by imagining myself in the shoes of role models like Tarzan or Maciste, that my attraction for cinema took shape. The martial arts, which I have been practicing since my childhood, seemed to me early on to be the royal way to make my entry into the Hollywood milieu. As an adult my experiences in the army, the police, or as a bodyguard allowed me to perfect my combat skills.

Kamel Krifa (on the left) and Grégoire Canlorbe

A conversation with Volkmar Weiss, for American Renaissance

by Grégoire Canlorbe · Mai 22, 2020

Volkmar Weiss is a German geneticist and historian. He graduated from Humboldt University of Berlin with a doctor of science degree in 1972, after presenting his dissertation on the heredity of intellectual giftedness for mathematics and technology. In 1990 he earned his postdoctoral qualification as a geneticist with the book Psychogenetik: Humangenetik in Psychologie und Psychiatrie [Psychogenetics: Human Genetics in Psychology and Psychiatry] and in 1993 as a social historian with the book Bevölkerung und soziale Mobilität: Sachsen 1550–1880 [Population and Social Mobility: Saxony 1550–1880]. He co-founded the German Social Union in 1990 and was a member of the German Christian Democratic Union from 1990 to 1993. From 1990 to 2007, he was head of the German Central Office for Genealogy.

In 2000 he published Die IQ-Falle: Intelligenz, Sozialstruktur und Politik [The IQ Case: Intelligence, Social Structure, and Politics], which is commonly considered the German counterpoint to The Bell Curve. He has spent his retirement writing nonfiction books and alternative history novels, among them, in 2012, Die Intelligenz und ihre Feinde: Aufstieg und Niedergang der Industriegesellschaft [Intelligence and Its Enemies: The Rise and Decline of Industrial Society] and, in 2007, Das Reich Artam: Die alternative Geschichte 1941–2099 [The Reich Artam: The Alternative History 1941–2099]. In his 2010’s book Deutschland schafft sich ab [Germany Abolishes Itself], Thilo Sarrazin refers to and uses Weiss’ arguments to support his own conclusions on demographic substitution. A short actualized version of his 2012’s monograph is the book IQ Means Inequality: The Population Cycle that Drives Human History (KDP 2020).

Grégoire Canlorbe: Against the consensual position in social sciences that interindividual differences in intelligence are exclusively molded by the membership in a given social class, you do not hesitate to present intellectual inequalities as mostly rooted in genes—and nonetheless correlated with properly social inequalities. How do you develop your subversive claim?

Volkmar Weiss: The Communists, who came to power in 1945 in the Soviet occupation zone of Germany, started from the assumption that all social differences were based on social causes and only on them. By abolishing these causes and, first and foremost, the differences in education, one also abolishes the social differences, so orthodox communists believe. Therefore a “counter-privileged educational policy” began in East Germany. Children whose parents belonged to the intelligentsia were discriminated against, while children of workers and peasants received special support, for example in “workers and peasants faculties”. At the end of the 1950s, East Germany had managed to make considerable progress towards the goal of equal opportunities. But what happened then?

In the 1960s, the proportion of high school graduates whose parents had once received special support after the war as children of workers and peasants and who had meanwhile become managers or members of the intelligentsia grew from year to year. In the statistics, their children no longer counted as children of workers and peasants. This was annoying and embarrassing to the representatives of the “leading working class,” and the special promotion of workers’ children was abolished in the mid-sixties. In the meantime, there was already social research in East Germany, which, since it could do nothing with such deliberately blurred categories as “working class”, had to work with clear classifications and therefore began to speak of educational strata. Empirical social research defined all university and technical college graduates (i.e. all those with an IQ above 115), regardless of their job, power or function, as members of the intelligentsia.

Uniform school conditions not only have a homogenizing effect, but also a differentiating one and social differences are intensified. In the 1960s, in view of this development the East German power elite became more and more interested in the promotion of talents and did not longer categorically rule out the possibility of a genetic background of high IQ. In 1969 professor Hans Grimm, director of the Institute of Anthropology in Berlin (East), proposed to me to do research on the inheritance of mathematical high-giftedness. I saw myself in the footsteps of Francis Galton, agreed and received permission for this research from Margot Honecker herself, Minister of National Education.

I used the annual “Olympiads of Young Mathematicians” held in East Germany as the starting point of my investigation. In the period 1963-1971 about 2.8 million students participated in these competitions, all mentally healthy students of the grades 5-12. The registration cards of the 1329 best placed pupils and questionnaires provided data on around 20 000 relatives.

The following empirical findings were particularly important:

In families in which the father belonged to the same top IQ occupational group as the highly gifted, all siblings of the test persons were far above average (i.e. all attended a school leading to a high school gratification certificate [German Abitur]).
In the families in which the father had a different occupation than one from the IQ top group, the siblings spread over the entire possible occupational spectrum. Approximately 14% of siblings were in jobs that generally did not require more than average mental power.
A particularly striking finding was found among the collaterals (the siblings of the parents of the highly gifted and their spouses), where both parents either belong to the top IQ occupational group or both are unskilled workers, almost always have only children who again exercise occupations of the respective qualification and thus IQ level. Parental couples in the IQ range around 110, on the other hand, have children who are spread over the entire possible occupational spectrum.

For someone who has Mendel’s law and their statistical distributions in mind, these findings suggest the segregation of genes as the background of high IQ and high giftedness. The same effect as a major gene locus could have a series of additive alleles.

Grégoire Canlorbe: Thirty years after the fall of the Berlin Wall, and the publication of your article on the European proletariat (in which you challenged the Marxist notion of a hereditary and disproportionately increasing proletariat), how do you assess the economic integration of Eastern Germany—and the global fate of free enterprise and laissez-faire capitalism in the reunified Federal Republic of Germany?

Volkmar Weiss: East Germany became and remains the poor annex of the West. Up to 1989, the inhabitants of East Germany did see decades of decline. After reunification they are afraid to live again in a state whose historic fate as a whole is decline. Therefore we have in former East Germany a strong opposition against unlimited immigration.

Grégoire Canlorbe: Relying on the logic of genetics and available knowledge on allele frequencies, you used to judge it highly probable that C2orf16 rs1919128 was the major gene locus of general cognitive ability. How did you come to endorse, then dismiss, the hypothesis?

Volkmar Weiss: Genes underlying IQ should have a certain distribution within social strata, ethnic populations and samples of high and low IQ subjects, in 2012 this was the starting point to look into all available databases of human genes. Despite the extreme probabilities, which spoke for C2orf16 rs1919128, it was a false positive finding. Many of genes claimed to underlie schizophrenia, Alzheimer and so on are false positives.

Another approach would have been to look for the greatest genetic differences between man and apes. On this route of research the group, led by Prof. Sikela, Denver, Colorado, found out that the number of copies of the gene DUF1220 (Olduvai) in the human genome is highly correlated with IQ and the risk to have autism or schizophrenia. High IQ subjects have about 20 copies more than low IQ persons. The number of copies has the same effect as the number of alleles of one genetic locus.

A conversation with Howard Bloom, for The Postil Magazine

by Grégoire Canlorbe · Mai 4, 2020

Howard Bloom started in theoretical physics and microbiology at the age of ten and spent his early years in science. Then, driven by the desire to study mass human emotion through the lens of science, he went into a field he knew nothing about, popular culture. He founded the biggest PR firm in the music industry and worked with superstars like Prince, Michael Jackson, Bob Marley, Billy Joel, Queen, AC/DC, Aerosmith, Billy Idol, Joan Jett, Styx, Hall and Oates, Simon & Garfunkel, Run DMC, and Chaka Khan. Bloom went back to his formal science in 1988 and, since then, has published seven books on human and cosmic evolution, including The God Problem, Global Brain, and The Lucifer Principle. Called “next in a lineage of seminal thinkers that includes Newton, Darwin, Einstein, [and] Freud” by Britain’s Channel 4 TV, and “the next Stephen Hawking” by Gear magazine, he is the subject of BRIC TV’s documentary The Grand Unified Theory of Howard Bloom.

Grégoire Canlorbe: As an entrepreneur in the public relations industry, you were particularly active under the Reagan era. How do you explain that the eighties saw both a return to some conservative values and an explosion of creativity and coolness in music and movies?

Howard Bloom: That’s a very good question. I’ve never thought of that connection before. My wife had been a socialist when I met her in the 1960s. And then in the 1970s she became a conservative. So she was siphoning money out of our bank account and giving it to Ronald Reagan’s political campaigns—without telling me. She knew I hated Reagan. But I never connected Ronald Reagan with what was going on in popular music at that point. In the 1960s popular music was the music of rebellion. Rock music was about raising your fist and saying to adults: “I have a right to be an individual. I have a right to exist.” Rock was in tune with the hippie philosophy: “Don’t trust anyone over 30.” And, “We’re here to overturn the establishment.” In other words, rock and roll was part of a rebellion whose political activists were working to toss people our parent’s age out of power. That was the 1960s. But there was no overt philosophy—there was no ideology—of rebellion in the 1970s and the 1980s. However if you look at the attitude of the artists who emerged, it was sheer rebellion.

Joan Jett got onstage and raised her fist. And the way she raised her fist was the strongest part of her message. She was a woman. And as a woman, you were expected to be like Grace Slick or Janis Joplin: the guys had the guitars, the power instruments, and you did not. You simply crooned into the microphone. But Joan was saying: “I’m going to take over the fucking guitar, myself. I have the power. I own the power on stage. And I am going to rebel as a self-contained entity not needing the “weapons” of “males with guitars.” My band? Hey, that’s just an extension of me.” Joan’s was the rebellion of girls who had been raised with working mothers. And for a middle class girl to be raised by a working mother was something brand new. It was a result of the invention of indoor plumbing, the washing machine, the drier, and the dishwasher. Women were no longer the slaves of water-hauling and clothes washing. And the women’s liberation movement had given them the freedom to compete with men in the workplace. Now the daughters of these liberated women had a very new experience of what it meant to be female. And that sense came to a head in Joan Jett. Or it came to a fist. But as for men, I mean, look at several of my other clients. Billy Idol also raised his fist in a gesture of rebellion. Did the anger of these fists have anything to do with the Reagan era? It’s hard to tell.

John Mellencamp also came to the lip of the stage with his fist raised. If you were here, I could show you the difference between the raised fist of each of those three artists. Each made a slightly different muscular statement—a statement made with muscles. And then, there were bands that were already slipping into acceptance of a parent’s generation, and acceptance of an older generation. Not rebellion, but acceptance. And those were bands like Spandau Ballet, Berlin, which were both my bands, and a bunch of others. Later, the whole attitude of rebellion would disappear from popular music. At least, it would be minimized significantly. In fact, Michael Jackson would live with his mother, his father, and his brothers—an unthinkable act among the rock rebels. And that business of raising your fist on stage would no longer be part of the package, if you were a rock ‘n’ roller. In Michael Jackson it would be replaced by fierce pointing.

Preliminary Notes to a Renovation of Platonism — Parts One, Two, and Three

by Grégoire Canlorbe · Avr 1, 2020

Part One, The Flaws of Aristotelian Hylomorphism

Plato was manifestly a medium (similar to Pythagoras), whose thesis of the subdivision of reality into a virtual realm (inaccessible to the senses) and a concrete realm of the senses ultimately came to elucidate his privileged experience of the superior stage of reality that is the supra-sensible field; Aristotle, on the other hand, resembled much more what can be described as a sensitive. In what follows, I would like to defend a renovated version of the Platonic perspective, against the Aristotelian negation of the existence of virtual entities that Plato called “Ideas,” and which the master of Aristotle rightly identified as the model of concrete entities.

Therefore, I will argue as follows:

1) Any concrete entity partakes of an ideational model (which may be termed, “archetype,” but which, contrary to the traditional understanding of archetypes, must be deemed as the singular model of a given entity, and the model of the unique and shared traits of a given singular entity)—which configures, or determines, the layout and the composition of the aforesaid entity, and that the “matter” constituting concrete beings takes charge of its own information, except in the case of those concrete beings that are artificial.

2) Here, the ideal, or virtual realm is hierarchized: it is constituted by elementary archetypes, as well as archetypes implied by the elementary ones. Plus, the starting rules of the cosmos (as such, the laws present at the time of the Big-Bang) and the implications of such rules, the latter being incessantly iterated and complexified over the course of cosmic history.

Besides the ideal field is imbued with a possibly conscious impulse, whose object is the incarnation of the ideal realm into matter. This impulse engenders the temporal start of the material field, and therefore of the universe. Yet the ideal realm materializes itself, all the while remaining beyond matter.

3) Time occasions a process of communication between matter at the instant (T) and the actualizable properties of matter at the instant (T-1), which yields so many implications that it is possible to extract from elementary archetypes and from starting rules. Matter, within the framework of this extraction of the implications in collaboration with time, repeats in a fractal mode the starting rules of the cosmos. These consist of a handful of pairs of opposites (namely: attraction and repulsion, integration and differentiation, fission and fusion) branching (via the iteration which causes the extraction of their implications) into the laws of the cosmos.

4) The primordial unity from which the cosmos proceeds consists in the impulse on the part of the ideational field to selectively accomplish its own content into innovative matter, and the bliss for man (especially the Faustian man) lies in the knowledge of the material unfolding of the Spirit (by which I mean the ideational field taken from the angle of its unified multiplicity), and in the extension of the creative gesture of the cosmos—via science, technique, and art.

5) The atemporal movement consisting for the Spirit of actualizing (while sorting) the implications that it carries within it projects—on the walls of the metaphorical cavern of the material and temporal field—a shadow which consists in the begetting (at the level of matter and on the part of matter) of increasing levels of order and complexity. A generation nonetheless not assigned to a predetermined final state of cosmic evolution—and not kept away from randomness and from error.

Knowing the course and the laws of the cosmos that are the incarnation of the Spirit mobilize clairvoyance (that is to say, the intuition of the supra-sensible field), just as well as conjecture (and induction) from the sensible datum.

Hylomorphism faced with the emergence process

As for Aristotle’s substitution of the archetypes, from which proceed the concrete entities, with the notion that a concrete entity owes its determination to the “form” which is inherent to it, I will naturally begin by questioning the Aristotelian perspective for the benefit of the rehabilitation of archetypes.

A conversation with Daryl Kane, for The Postil Magazine

by Grégoire Canlorbe · Avr 1, 2020

Daryl Kane is an American politician best known for his book Cultural Cancer: Treating the Disease of Political Correctness, his podcast Right Wing Road Trip, and the journal Revenge of the Patriot whose editor he is. He runs as a Republican candidate for POTUS in 2024.

Grégoire Canlorbe: You are campaigning for the presidential election of 2024 under the banner of Christian morality, economic freedom, ethnic identity, and the fight against leftist cultural cancer. On the issue of immigration, how exactly does your program stand in relation to Trump’s politics?

Daryl Kane: Immigration obviously is such an important topic and I give Trump credit for emphasizing it in his campaign. Rhetoric aside, how much has he achieved? I’m not sure, I think a lot of good has been done but really when he, when we’re talking about slowing, even stopping the tide, this is a stopgap mentality, it’s not a conversation about solutions. Very clearly, the American people, and really just about all citizens of Western nations—look, this is has been political warfare and the damage sustained is reaching, has really passed a point where we can just end this nonsense without also taking remedial, restorative measures. This is naturally a very charged topic and one which must be approached with sobriety but also with care and humanity. On the one hand we have a ship that is sinking and you know, we can’t just plug the holes, we have to also start removing some of the water. But we’re not talking about water, we’re talking about God’s children so you know, perhaps to the chagrin of some, no I’m not just going to arbitrarily throw everyone out. But you know, I actually don’t think we really have to either. One big talking point for Trump is about moving us to fully merit based immigration which strikes most conservatives as a tough, sensible response. Certainly this is better than the prior lunacy, things like “diversity visas” which for me is a term that I often instruct people to pause for a moment and think about. What exactly is a “diversity visa?” Well, obviously it’s a seat in our country which we are setting aside, reserving for people on the basis of them being less similar to our current citizens than other would be immigrants. For me, you know, I’m not sure we do want to move away from identity based immigration. I think maybe we keep a lot of that stuff, and by the way this pertains to domestic programs as well, where you know we spend billions a year to promote this or that group, really any group that we don’t usually associate with mainstream Americanism. Maybe we keep a lot of this diversity infrastructure, at least the concept of them but we actually invert them, or you know replace them with a desire to reinforce or advocate for traditional Western identity. Maybe we start setting visas aside for, oh I don’t know, white, English speaking Christians? (Laughs)

You see, no one ever really bothered to explain to Americans why they needed things like diversity visas, diversity scholarships, etc. They were just sort’ve injected in, draped in this very flowery, humanistic rhetoric. I think it’s time to start talking about things like homogeny visas and see what happens when the Left has to justify why it’s ok for them to play this game but not us. Let’s have a national dialogue about the benefits of both ends of spectrum and let’s see which of the two seems more beneficial at this point in time. And look, I’ve said this too, I’m not an anti diversity person. Diversity can be good, it can be bad. I do like being able to enjoy all sorts of unique ethnic cuisine in cities and things of that nature. A lot of people scoff at equality now and you know, I don’t know, that ideal still resonates with me and I don’t want us to lose that ability to make friends from different places, to connect and be decent to one another. But I think quite clearly the level of diversity which we now have, frankly—and this is putting it mildly, it’s plenty.

A conversation with Peter Frost, for American Renaissance

by Grégoire Canlorbe · Mar 22, 2020

Peter Frost is a Canadian anthropologist. His main research interest has been the role of sexual selection in highly visible human traits, notably diverse hair and eye colors. Other interests include vitamin D metabolism in northern hunting peoples and gene-culture coevolution, such as genetic pacification due to the state monopoly on violence.

Grégoire Canlorbe: You are notably known for your claim that the most plausible origin for the high frequency of light coloration of skin in European ethnicities lies in sexual selection (rather than in natural selection). Could you remind us of your argument?

Peter Frost: It’s not just light skin. It’s also the extraordinary variety of hair and eye colors. I prefer to begin with them because they are much less explainable by anything other than sexual selection.

Take hair color. Most humans have black hair and one allele for hair color. Europeans have over two hundred for colors ranging from black to blond. The conventional explanation is straightforward: as humans entered higher latitudes, with less solar radiation, there was less selection for dark skin and, consequently, an accumulation of defective alleles for pigmentation. So the number of hair colors grew as a side effect.

That scenario has two problems. First, the genetic linkage between skin color and hair color is weak: if we took all humans with black hair, we would have a group with the full range of skin colors. Second, millions of years are needed to accumulate that many alleles through relaxation of selection. Yet modern humans have been in Europe for scarcely 45,000 years.

Did Europeans get their hair colors from the Neanderthals? According to a study of five alleles for red hair, one of them seems to be an archaic introgression, but the others are of modern human origin. Even if we assume that all of the alleles for hair color had slowly accumulated during the long existence of the Neanderthals, the timeline is still too short — at most three quarters of a million years. Furthermore, even if they all had a Neanderthal origin, we would still need to explain how they reached their current prevalence. Europeans today are only 1 to 4% Neanderthal.

That’s not all. Eye color, too, diversified during the same 45,000 years. So we have two color polymorphisms, with different genetic causes, developing in parallel within the same limits of time and space. There must have been a process of selection. Something helped preserve those new colors and pass them on to subsequent generations.

That something, in my opinion, was sexual selection. It begins when too many of one sex have to compete for too few of the other. The latter are in a buyer’s market and can pick and choose among prospective mates. Conversely, the “sellers” are in a worse position and have to market themselves as best they can. The successful ones are those who can attract attention and hold it as long as possible, typically by means of bright colors.

A short conversation with David Horowitz, for FrontPage Magazine

by Grégoire Canlorbe · Mar 12, 2020

David Joel Horowitz is an American writer. He is a founder and president of the think tank the David Horowitz Freedom Center (DHFC); editor of the Center’s publication, FrontPage Magazine; and director of Discover the Networks, a website that tracks individuals and groups on the political left. Horowitz also founded the organization Students for Academic Freedom.

From 1956 to 1975, Horowitz was an outspoken adherent of the New Left. He later rejected progressive and Marxist ideas and became a defender of conservatism. Horowitz recounted his ideological journey in a series of retrospective books, culminating with his 1996 memoir Radical Son: A Generational Odyssey.

Grégoire Canlorbe: You have long established yourself as a Jewish intellectual committed to the defense of your homeland America and its Protestant values. While in conservative circles it is not uncommon to address the totalitarian commonalities between Islam and Marxism, you like to raise the connection of Marxism (and other laicized socialist ideologies) with the Pelagian heresy. Could you tell us more about this filiation?

David Horowitz: Pelagius, a 4th Century Christian Monk—even more than Rousseau—is the father of all leftist schemes to remake the world into a social justice paradise. Pelagius believed that sin was against human nature. Therefore if people would just be true to their nature—and therefore good Christians—they could build a heaven on earth. Leftists believe that people are good at heart, and therefore if they are good Marxists, or good socialists, or politically correct, they can build a paradise on earth. Saint Augustine was Pelagius’ nemesis. To counter his utopian vision, Augustine posed the doctrine of original sin—that we all participate in Adam’s sin because it is in our nature to sin, not against it. In secular terms, the root cause of all social problems, of all human problems is us. That’s why when progressives achieve total power they kill and impoverish millions—even hundreds of millions—of people who refuse to participate in their schemes because they go against their nature.

Grégoire Canlorbe: It turns out that a number of icons of the sixties and the seventies who were most often considered left-wing at the time—for instance, David Bowie, Kirk Douglas, or the duo of Easy Rider, Peter Fonda and Dennis Hopper—are rather positively perceived among right-wing nationalist youth today. As a repented lieutenant of the counterculture, how do you react to this lasting popularity?

David Horowitz: I don’t take actors seriously. After all, they’re actors.

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